Music publications and syllabus errata

You should read the syllabus requirements carefully before your exam. If you do not meet all the relevant requirements, the examiner may refer your exam result to Trinity's London office for review and marks may be deducted.

Information & Regulations Music syllabus infringements

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Brass
Bowed Strings & Harp
Piano
Woodwind
Jazz Woodwind
Electronic Keyboard and Organ
Guitar
Singing
Drum Kit & Percussion
Theory and Musicianship

Brass publications errata 

Treble Clef Brass Scales, Arpeggios & Exercises

  • Page 19, Grade 4 – the A major scale and arpeggio should be played from low A to middle A, not an octave above. [amended in second impression, December 2015]

French Horn Scales, Arpeggios & Exercises

  • Page 12, Grade 3 v B flat horn lip flexibility exercise: the B in bar 12 should be a B flat; the F in bar 18 should be an F sharp. [amended in second impression, March 2015]

Trombone Scales, Arpeggios & Exercises

  • Pages 13-14, Grade 3 – the G minor scale and arpeggio should be played in the lower octave, not an octave above. [amended in second impression, May 2015]

Featuring Melody for Treble Brass (published by Brass Wind)

  • Three On Five by Peter Lawrance (Grade 6, list B) should have a metronome mark of crotchet = 140 (not crotchet = 40).

Bowed Strings & Harp publications errata

Violin Exam Pieces 2020-2023 Grade 6

  • Elgar 'Mot d'amour' (score page 32, part page 16 & recording) bar 3: The violin C sharp on beat 3 should be a B natural (tied from beat 1). Either version will be acceptable in the exam. [amended in the second impression]

Violin Exam Pieces 2020-2023 Grade 7

  • Vivaldi 'Concerto in D minor' (score page 5, part page 3) bar 33: The violin second tripet semiquaver should be an F sharp (not F natural). Either version will be acceptable in the exam. [amended in the second impression]

Violin Exam Pieces 2016-2019 Grade 2 (CD audio)

  • Tracks 8 and 9 are swapped around from their published order, and the same is true of tracks 18 and 19. The actual track order on the CD is: 8. Rezele (performance); 9. Leirkasten (performance); 18. Rezele (accompaniment); 19. Leierkasten (accompaniment)

Violin Exam Pieces 2016-2019 Grade 5

  • Somervell 'Bourée' (score page 8, part page 6) should have an alla breve ('cut common', 2/2) time signature, and a metronome mark of minim = 82.

Violin Exam Pieces 2016-2019 Grade 7

  • Handel 'Largo and Allegro' (score page 24) bar 59 RH first chord should be A and C sharp (not G sharp and B).

Violin Scales, Arpeggios & Studies from 2016

  • Page 20, 'Twinkling Tango' bar 6 – F sharps should be F naturals in this bar.

Double Bass Scales, Arpeggios & Studies from 2016

  • Page 24, ‘Spicy Goulash’ – should be in B flat minor (ie 5 flats rather than 6).

Raise the Bar Violin: Grades 6-8

  • Bizet 'Habarena' (score page 13, part page 7) bar 59: the violin grace notes should read E, F sharp, E (not D, C sharp, D).

Harp Studies & Exercises from 2013

  • Page 41 'Cool Dude': the swing tempo indication incorrectly contained semibreves in the first four print impressions of this book (instead of showing a pair of quavers = crotchet quaver with a triple sign above) [amended in the 5th impression]

Bowed Strings & Harp Syllabus 2016-2019 errata

Bowed strings

  • Scales are listed as starting with a long tonic, but may also be played in even notes. [amended in the online edition]

Violin

  • Grade 8 – Mozart Allegretto is 3rd movt (not 4th) [amended in the online edition]
  • Grade 8 – In the Schott edition the Vivaldi 1st movt is called Spiritoso e non presto (not Allegro) [amended in the online edition]

Viola

  • Grade 7 – G tonal centre has been removed from the technical work. [amended in the online edition]
  • Grade 7 – The Stamitz should be Andante moderato (not Adagio). [amended in the online edition]
  • Grade 7 – The Schubert Arpeggione Sonata is D821 (not D281). [amended in the online edition]

Cello

  • Initial-Grade 4 – piano accompaniments for all pieces from Cello Time JoggersCello Time Runners and Cello Time Sprinters are available separately (also published by OUP).
  • Initial – the product code listed for Four Strings and a Bow book 1 (BOE003927) is for the cello part only
    The product code for the piano part and cello book is BOE003924. [amended in the online edition]
  • Grade 2 – Legg's Rumba is unaccompanied. [amended in the online edition]

Scottish traditional fiddle

  • Incorrect publications are given for two pieces in the Scottish traditional fiddle Grade 7 list:
    Pat’s Reel is from The Music of Willie Hunter (Shetland Music Heritage Trust)
    Miss Laura Andrews is from The Fiddle Music of Scotland (Hardie Press) [amended in the online edition]

Non-Pedal Harp

  • Grade 5 – G minor arpeggio should be played to 2 octaves rather than 3 octaves.

[Strings section last updated 14 April 2021]

Piano publications errata

A Recital Anthology – Piano Solo

  • Page 84 – Sonata in F major (Mozart) – bars 186 and 188 RH are incorrect in the first impression. Bars 185-188 should appear as in this PDF. (Bar 186 RH: crotchet B natural slurred to quaver C, then crotchet G and quaver rest. Bar 188 RH: crotchet A flat tied to semiquaver A flat with turn symbol above, semiquaver B flat, crotchet C, quaver rest.)  [amended in the second impression]
  • Page 96 – Sonata in C minor 'Pathétique' (Beethoven) – bar 272, LH 5th note should be G (not B flat as in the first impression)
  • Bar 176 – Deep River (Coleridge-Taylor) – bar 38 LH last chord flat sign should be in front of the E (and not in front of the F) [amended in the second impression]
  • Page 199 – Suite (Bartók) is op. 14 (not op. 32 as in the first impression)

Piano Pieces Plus Exercises 2021-2023: Grade 2

  • Page 8 – Canzonet (Neefe) – bar 11 LH C should have a sharp sign. [amended in the second impression]

Piano Pieces Plus Exercises 2021-2023: Grade 4

  • Page 28 – Exercise 1a. Sarabande – bar 4 LH should not have lower G on either chord - these should be two-note chords only (crotchet B flat and D natural, minim B flat and D flat) [amended in the second impression]
  • Audio – Calypso (Knowles) – at 0’34’’ the rhythm in the RH on the first beats of bars 19 and 21 has been played incorrectly (swapped around). The score is correct.

Piano Pieces Plus Exercises 2021-2023: Grade 5

  • Page 22 – Sports Car (McCabe) – bar 29 RH chord on beat one should be E-F sharp-A (as in bar 33). [amended in the second impression]

Piano Pieces Plus Exercises 2021-2023: Grade 6

  • Page 11 – Finale (Haydn) – bars 20-21 LH upper G should be tied (as in bars 3-4)[amended in the second impression]
  • Page 13 – Finale (Haydn) – bar 89 first quaver should be a C (not E). Either version will be acceptable in the exam. [amended in the second impression]
  • Page 18 – Ivan is Very Busy (Khachaturian) – bar 72 last quaver should be a G (not E). Either version will be acceptable in the exam. [amended in the second impression]

Piano Pieces Plus Exercises 2021-2023: Grade 8

  • Page 30 – No. 2, Six Dances in Bulgarian Rhythm (Bartók) – bar 51 LH chords should be identical to those in bars 52-54 (first impression had A natural instead of A flat). [amended in the second impression]
  • Page 34 – Andaluza (Granados) – bar 9 LH last quaver should be a D [amended in the second impression (third impression Extended Edition)]
  • Page 38 – Andaluza (Granados) – bar 77 RH second dotted quaver (on 5th quaver beat) should be a C (not A) [amended in the second impression (third impression Extended Edition)]
  • Page 55 – Romance (Sciarra) – bar 25 LH beat 4 second triple quaver should be D natural (not D flat) [amended in the second impression (third impression Extended Edition)]
  • Page 56 – Romance (Sciarra) – bar 33 RH beat 4 – the 3rd flourished demisemiquaver (32nd note) should be F sharp (not G sharp) [amended in the second impression (third impression Extended Edition)]

Grade 6 Piano Pieces & Exercises 2018-2020

  • Page 25 – Exercise 2b ‘Three Against Two Ain't Fair!’ bar 3. LH final quaver should have a natural sign.

Grade 7 Piano Pieces & Exercises 2018-2020

  • Page 32 – Exercise 3b ‘Under Control’ bar 7. RH F sharp should be an F natural.

Grade 8 Piano Pieces & Exercises 2018-2020

  • Page 30 – Minstrels (Debussy). Bar 72 RH inner voice should read C natural, E natural, E flat, D natural. [amended in the second impression].

Raise the Bar Piano: Grades 3-5

  • Page 60 – Kettle Rag (Norton). Bar 87 RH natural sign should be on the C, not the F.

Piano 2018 teaching notes

  • Page 3 states: ‘From Initial to Grade 3 there is one list of pieces only, from which three pieces are freely chosen. From Grade 4 up to Grade 8 pieces are in two groups; two pieces are chosen from one group and one from the other’. This should read as follows:

Initial–Grade 3

    • Three pieces are chosen from the lists. One of these pieces may be a duet. 
    • The candidate can play an own composition in place of one of the listed pieces (see  page 16).

Grades 4–5

    • Three pieces are chosen freely from the lists.
    • The candidate can play an own composition in place of one of the listed pieces.

Grades 6–8

    • Pieces are divided into two groups: group A and group B. 
    • At least one piece must be chosen from each group. The third piece may be chosen from either group or may be the candidate’s own composition.

Piano syllabus errata

Piano Syllabus 2021-2023

  • Grade 4 – Allegro in A major (Raise the Bar: Grades 3-5) is by Wilhelm Friedemann Bach, not Carl Philipp Emanuel Bach. Correct in Raise the Bar, but incorrect in the first impression of the syllabus.

[Piano section last updated 13 August 2021]

Woodwind publications errata 

Clarinet Scales, Arpeggios & Exercises Grades 1-8 from 2015

  • Grade 5 – page 26, E major arpeggio – start on the lower E note to match the E major scale. [amended in the third impression, April 2017]

Oboe Scales, Arpeggios & Exercises Grades 1-8 from 2015

  • Grade 6 – page 28, diminished 7th starting on B flat – all F double-flats should be replaced with F flats.

Saxophone Scales, Arpeggios & Exercises Grades 1-8 from 2015

  • Grade 8 – page 50, F sharp major arpeggio with a lowered 7th should be marked with an asterisk to denote that it is relevant to the Jazz Saxophone syllabus.
  • Grade 8 – page 51, Mixolydian scale on B flat should not have a flat sign before the high C on the second system.
  • Grade 8 – page 52, B flat jazz melodic minor scale – final octave descending should have a G natural and no B natural.

Grade 7 Clarinet Exam Pieces 2017-2020

  • Page 23 of score and page 10 of part – metronome mark for Templeton In Rhythm should be minim = 80–84 (not crotchet = 80–84)

Initial Flute Exam Pieces 2017-2020

  • Page 7 of part – The correct title of the piece entitled Blow the Wind Southerly is in fact Blow the Man Down.

Grade 4 Flute Exam Pieces 2017-2020

  • Page 3 (of both part and accompaniment) – J S Bach Siciliano (Group A) – last quaver of bar 1, flute part should be E flat (not E natural).

Grade 5 Flute Exam Pieces 2017-2020

  • Page 7 of part, page 12 of accompaniment – Mozart Adagio (Group A) – first note of flute part should be F sharp (top line of stave), not G. [amended in the second impression, 2018]

Grade 6 Flute Exam Pieces 2017-2020

  • Page 6 of part, page 10 of accompaniment – Godard Idylle (Group A) – bar 8 second semiquaver should be a C (not B). Either version will be acceptable in the exam. [amended in the third impression, 2021]

Grade 8 Flute Exam Pieces 2017-2020

  • Page 11 of part, pages 22-23 of accompaniment – Debussy Prélude à l'après-midi d'un faune (Group A) – bar 94 flute minim should be dotted (within independent 12/8 time signature) and bar 95 should return to common time (4/4). [amended in the fourth impression]

Mosaics Flute book 1

  • Page 18 – Jig-Jag – tempo marking should be dotted crotchet = 108. [amended in the fourth impression]

Recorder Anthology 3 (Grades 4 & 5)

  • Page 21 (recorder part) – Paul Clark A Study – bar 11 semiquavers should read E flat, D (not D flat, C). The following quaver then becomes an E flat.

Woodwind Syllabus 2017-2020 errata 

Bassoon

  • Grade 5 – Galliard Sonata no. 3 in F, 3rd movt: Adagio and 4th movt: Spiritoso (Group A) publisher code should be IMC2114. (The Schott edition inccorecctly listed is not the correct piece.) [amended in the online edition]

Clarinet

  • Grade 1 – Beach Midnight Waltz (Group A) has been removed. [amended in the online edition]
  • Grade 1 – Rae Three Blue Mice should be listed in Group A rather than Group B. [amended in the online edition]
  • Grade 8 – Brahms Sonata in F minor, op. 120 no. 1, 1st movt appears twice in Group A. It should be removed from the 'alternative pieces' list (with no subsitute piece), but remains on the list of pieces contained within the Clarinet Exam Pieces 2017–-020 Grade 8 book. [amended in the online edition]
  • Grade 8 – Mendelssohn Sonata in E flat – only the first movement (Adagio - Allegro moderato) is required.

Flute

  • Initial – The correct title of the piece entitled Blow the Wind Southerly is in fact Blow the Man Down.

Saxophone

  • Grade 4 – Gunning Poirot (Group A) has been removed. It is correctly listed at Grade 5. [amended in the online edition]
  • Grade 5 – Ravel Bolero (Group A) has been removed. [amended in the online edition]

Recorder

  • Grade 1 – Handel Gavotte is no. 16 from Spielbuch fur sopran-blockflote und klavier.
  • Grieg Norwegian Dance (Grade 1), Trad. The Minstrel Boy (Grade 1) and Purcell Trumpet Tune (Grade 2) should be listed in Group B rather than Group A. [amended in the online edition]

[Woodwind section last updated 30 March 2021]

Jazz Woodwind Syllabus 2017-2020 errata

Jazz Clarinet

Grade 2

  • Off to the Match! by Rae has been removed from the syllabus.
    [amended in the online edition]

[Jazz Woodwind section last updated 3 January 2018]

Electronic Keyboard & Organ publications errata

Electronic Keyboard

Grade 6 Pieces & Technical Work 2019-2022

  • Pages 28, 'Samba Nights' – bar 8, last three quavers should be on Trumpet.

Grade 7 Pieces & Technical Work 2019-2022

  • Page 11, 'Violin Concerto in G' – French horns should sound an octave lower than written - this is not noted in the setup box at the top of the page in the 1st impression.
  • Page 11, 'Violin Concerto in G' – bar 18 beat 3 change to WW Section (ie remove Chamber Strings).
  • Page 14, 'Violin Concerto in G' – bar 67 LH beat 2, should be C sharp
  • Page 16, 'Wedding March' – Accompaniment should be set to 'on' at the beginning, so that the 'sync start' causes the rhythm to enter at bar 5 when the first chord is played.
  • Page 16, 'Wedding March' – bar 6 beat 2, the bottom B in the chord should be removed, so that the notes appear the same as in bar 10.
  • Pages 17-18, 'Wedding March' – it is not necessary for candidates to change the accompaniment settings of bars 40-49.Page 17, 'Wedding March'

Grade 8 Pieces & Technical Work 2019-2022

  • Page 24, 'In Dahomey' – setup box, 'Other info' line 8 – 'register key set to 0 for 39 beat 4-41 beat 3 (played up an octave)' – bar number is incorrect in the first impression.
  • Page 29, 'A Night in Tunisia' – setup box, 'Other info' should start 'Fingered on bass chord setting to be used' – the word 'bass' is missing in the first impression.
  • Page 34, 'Riverdance' – setup box should state that Piccolo sounds one octave higher than written.
  • Page 34, 'Riverdance' – setup box, last line – ‘Bars 26-53 RV Octave -1...' – bar number is incorrect in first impression.

Grade 1 Pieces & Technical Work 2015-2018

  • Page 9, ‘The Great Escape’ – one bar's rest should be added after bar 15 and after bar 46. [amended in second impression, October 2015]

Electronic Keyboard & Organ syllabus errata

Organ

Grade 5 

  • Grade 5 - Stanford No. 5 from 6 Short Preludes and Postludes, set 1 op. 101 Preludes and Postludes Mayhew 1400361. The printed syllabus is missing 'set 1 op. 101'.

Grade 7 Pieces & Technical Work 2019-2022

  • Page 11, 'Violin Concerto in G' – French horns should sound an octave lower than written - this is not noted in the setup box at the top of the page in the 1st impression.
  • Page 11, 'Violin Concerto in G' – bar 18 beat 3 change to WW Section (ie remove Chamber Strings).
  • Page 14, 'Violin Concerto in G' – bar 67 LH beat 2, should be C sharp
  • Page 16, 'Wedding March' – Accompaniment should be set to 'on' at the beginning, so that the 'sync start' causes the rhythm to enter at bar 5 when the first chord is played.
  • Page 16, 'Wedding March' – bar 6 beat 2, the bottom B in the chord should be removed, so that the notes appear the same as in bar 10.
  • Pages 17-18, 'Wedding March' – it is not necessary for candidates to change the accompaniment settings of bars 40-49.

Grade 8 Pieces & Technical Work 2019-2022

  • Page 24, 'In Dahomey' – setup box, 'Other info' line 8 – 'register key set to 0 for 39 beat 4-41 beat 3 (played up an octave)' – bar number is incorrect in the first impression.
  • Page 29, 'A Night in Tunisia' – setup box, 'Other info' should start 'Fingered on bass chord setting to be used' – the word 'bass' is missing in the first impression.
  • Page 34, 'Riverdance' – setup box should state that Piccolo sounds one octave higher than written.
  • Page 34, 'Riverdance' – setup box, last line – ‘Bars 26-53 RV Octave -1...' – bar number is incorrect in first impression.

Grade 1 Pieces & Technical Work 2015-2018

  • Page 9, ‘The Great Escape’ – one bar's rest should be added after bar 15 and after bar 46. [amended in second impression, October 2015]

Guitar publications errata

Guitar Exam Pieces 2020-2023 Grade 4

  • Page 4 ‘Gavotte’. A number of fingerings were incorrect in the first impression. Please note however that fingering is only ever a suggestion.
    Bar 0 – first note – string number should be ‘3’ (not ‘2’)
    Bar 1 – first F should be fingered 2 (not 0)
    Bar 10 – final D should be fingered 2 (not 4)
    Bar 11 – first C sharp should be fingered 2 (not 3)
    Bar 14 – the first E should be fingered 4 (not 1).
    Bar 14 – beat 3, the lower two notes can be a dotted crotchet to allow the final D to be more easily played.
    [amended in the second impression]
  • Page 7 ‘Nostalgia: petite mélodie’. The tempo marking should be crotchet = 84-88. Please note that metronome marks are given as a guide only. [amended in the second impression]

Guitar Exam Pieces 2020-2023 Grade 5

  • Page 2 ‘Preludium’ bar 7. The first minim bass note should be a low E (not a G as in the first impression). [amended in the second impression]

Guitar Exam Pieces 2020-2023 Grade 6

  • Page 3 ‘Sarabande’ bar 10. The position marking should be CVI and not CIV. Bar 29 – quaver A at start of bar should have a sharp sign. [amended in the second impression]

Guitar Exam Pieces 2020-2023 Grade 7

  • Page 8 ‘The Bonnie, Bonnie Banks of Loch Lomond’ bar 8 – upper voice final quaver should be a D sharp (not an E as in the first impression).
  • Page 16 ‘Serenade’ bar 25 – the B flat should be a B natural and fingering should be 4 for the B, 3 for the G. Bar 28 – the B flat should be a B natural - fingering unchanged
    [amended in second impression]

Guitar Exam Pieces 2020-2023 Grade 8

  • ‘The Bucks of Oranmore’
    • Page 12 bar 40 the G note should be an A
    • Page 13 bar 55 the third note (C sharp) should be a D
      [amended in second impression]
  • Page 14 – Oración para todos’ (Coste) – bar 13, there should be a bass open A crotchet on the first beat of the bar [amended in the second impression]
  • Page 22 – Vals venelozano no.3 ‘Natalia’ (Lauro) – the tempo marking should be crotchet=150-160 [amended in second impression]
  • ‘Sérénade’ (Coste) [all amended in second impression]
    • Page 7, bar 32 – the dotted quaver A on beat one should be an F sharp (one line below) 
    • Page 8, bars 50 and 51 – the bass notes should both be open E as in the surrounding bars
    • Page 9, bar 101 – the dotted quaver E on beat one should be a C sharp (one space below)

Guitar & Plectrum Guitar Scales, Arpeggios & Studies Grade 6-8 from 2016

  • Page 35 – the last section (marked mf) is to be played using harmonics for all notes, including the lower strings. This PDF is a clearer representation of what the composer intended.

Guitar Exam Pieces Grade 1 2016-2019

  • Page 2 – Balletto (Anon.) – the repeat barline at the beginning of bar 1 is an error and should be replaced by a single barline. There are no repeats in this piece.

Guitar Exam Pieces Grade 6 2016-2019

  • Page 13 – Romanze (Carulli) – the C on the third beat of bar 20 should have a cautionary natural preceding it. The natural sign at the begining of bar 21 is therefore unnecessary.
  • Page 17 – Maria (Tárrega) – bar 41 – the top note at the beginning of the bar should be an A, not an F. This error is also present on the CD recording. Either version will be acceptable in the exam, however.

Raise the Bar Guitar (Book 2) Grades 3-5

  • Page 9 – Russian Bear, bar 34 beat 3 should be a D minor chord (bottom to top: A, D, F)
    [Corrected in the second impression]
  • Page 17 – Ejercicio, bar 30 beat 1 should be an E minor chord in 2nd inversion
    [amended in second impression]

[Guitar section last updated 16 August 2021]

Singing Publications errata

Grade 3 Singing Exam Pieces 2018-2021

  • 'Cool Cat', audio – on the recording, the second G sharp in bar 8 (page 37) is incorrectly played as a G natural (the first time and on both repeats). The score is correct.

Grade 6 Singing (Low Voice) Exam Pieces 2018-2021

  • Page 32-34, ‘Summer' Bar 14, voice first note should be an A (minor third lower). Bar 32, piano LH first two notes should be B & F sharp (minor third lower). Bar 49, voice second note should be a C (tone lower). 
    [amended in second impression]

Grade 6 Singing (High Voice) Exam Pieces 2018-2021

  • Page 32-34, ‘Summer' Bar 14, voice first note should be a C (minor third lower). Bar 32, piano LH first two notes should be D & A (minor third lower). Bar 49, voice second note should be an E flat (tone lower). 
    [amended in second impression]

Singing Syllabus 2018-2021 errata

Grade 5

  • The correct code for Rutter: All Things Bright and Beautiful (B39) is 9780193420625.

[Singing section last updated 2 May 2018]

Drum Kit & Percussion publications errata

Raise the Bar Drum Kit: Grades 1-2

  • Page 25, 'It's Alive' – bar 17 fourth quaver should be bass drum (bottom stave space) – (not on the second stave line as in the first impression).

Drum Kit 2 2014-2019

  • Page 29, 'The Chicken' – bars 18-19 should have a hi hat close marking (+) on the first beat of each bar.

Drum Kit 3 2014-2019

  • Page 27, Exercise no. 3 – bars 10-15 are written incorrectly in the first impression and should be played as in this PDF. [amended in the second impression]

Drum Kit 4 2014-2019

  • Page 40, ‘Brazil Overture' – bar 72 should be played on the ride cymbal, not the hi hat as notated in the first and second impressions of the book. [amended in the third impression]
  • Page 44, 'Fusion Illusion' – the flams at bar 10 are to be played on the snare only. [amended in the third impression]

Timpani Exam Pieces & Studies from 2007

  • Page 18 (piano part page 28), 'My Homeland' (Faulkner) - the repeat should be omitted in the exam. [amended in the seventh impression]

[Drum Kit section last updated 16 March 2018]

Theory & Musicianship publications errata

Theory of Music Workbook Grade 1

  • Page iv, final paragraph should read 'Andante, allegro, moderato, repeat marks, ritardando (and signs and abbreviations for these where appropriate)'.
  • Page 41, in the last box – 'ritardando (rit.) – getting slower'.

Theory of Music Workbook Grade 4

  • Page 40, 'Subdominant chord in the key of G minor' – the top note on the bass stave of these two chords should be G (top space of the stave), not middle C.

Theory of Music Workbook Grade 7

  • Page 76, ‘Treble recorder – sounds an octave lower’ – incorrect as it sounds as written. Amended in 5th impression (2015) onwards.

Theory of Music Workbook Grade 8

  • Page 26, worked example in B minor should end with roman numeral 'i' (not 'I') as the chord is minor. [amended in the seventh impression]

Theory & Musicianship syllabus errata

Theory of Music Syllabus from 2009

  • Page 9 – final paragraph should read 'Andante, allegro, moderato, repeat marks, ritardando (and signs and abbreviations for these where appropriate)'.

[Theory & Musicianship section last updated 24 August 2021]

 

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